If you’re interested in what’s going on in the fields of participation, interaction or roleplaying, I recommend spending this evening at Club PRKL in Helsinki or online following the webcast. It’s the publishing of the new Solmukohta journal States of Play followed by Nordic Larp Talks.
The doors open at 6pm, the excellent book States of Play is published at 7, and Nordic Larp Talks hosted by Johanna Koljonen starts at 8!
States of Play is edited by Juhana Pettersson and has dozens of really interesting articles on the design, theory, documentation and results of the cutting edge Nordic tradition of live roleplaying. My article Folk Fantasy deals with Täällä Kirjokannen alla and what I think might be the dawn of a new era in the fantasy genre. The book is also published as a free PDF.
Now, here’s some info on Nordic Larp Talks:
We are proud to welcome you to Nordic Larp Talks Helsinki 2012 – an evening of entertaining, thought-provoking and mind-boggling lectures about projects and ideas from the Nordic tradition of live action roleplaying games.
The talks are presented by writer, radio & television host as well as winner of the innovator category of this year’s The Swedish Grand Journalism Prize award, Johanna Koljonen.
Mike Pohjola – How to become a god
Johanna Macdonald – From stage to larp
JP Kaljonen – The interplay between player and man in the street
Jesper Bruun – Experimental Larp Design
Lizzie Stark – Playing in Graveyards: Terror collides with larp in New York City
My presentation, How To Become A God, deals with the history of drama from Dionysian rituals to reality television, and beyond, and how all of this relates to roleplaying. While doing that, I’ll also answer a puzzling point in Aristotle’s Poetics that’s been bugging theatre scholars for three thousand years.
See you there!
I took part in the Game Chef 2010 contest for designing roleplaying games upon a given theme and a list of ingredients. (Like the Iron Chef, I assume.) The theme was Journey, and the ingredients (of which you’re supposed to use three) were Desert, City, Edge and Skin.
I thought, what roleplaying on some level isn’t about a journey on the edge between the desert and the city? But skin? That’s something interesting.
My submission is The Hand of Gulliver the Man-Mountain. It’s a roleplaying game where Lilliputians explore the hand of Gulliver who just washed ashore. Your finger represents your Lilliputian character, and the Game Master’s hand is the Hand of Gulliver the Man-Mountain.
It’s the world’s first manual-digital-tactile roleplaying game. Check it out! http://www.pohjolafilmi.fi/gamechef/The_Hand_of_Gulliver.pdf
I got married this Saturday to my bride Elina Lindroos, and made her my wife Elina Pohjola. In a couple of hours we’ll be on our honeymoon in Denmark and Greenland, and can’t be reached via e-mail until September 10th.
Our wedding had a Kalevala theme, and was appropriately called The Pohjola Wedding. The color was purple. The amount (and quality) of congratulatory speeches surprised all the guests, not to mention ourselves. The ceremony itself happened on top of a hillfort by a judge and a shaman. We are really happy 🙂
Here’s a couple of photos (by Claus Raasted and Saara Malmila), more through these links:
About a week ago I visited the city of Varkaus in Eastern Finland. As part of their week-long children’s culture festival, they awarded the prize for year’s best young people’s book to my novel Kadonneet kyyneleet.
The winner was chosen by a jury consisting of six 10 to 12-year-olds. They read seven children’s and young adults books, and chose their favorite. Many adults had called Kadonneet kyyneleet too difficult or too dark for young people, but kids proved them wrong!
Grown up literature is divided into entertainment like detective stories and romances on one hand, and quality literature on the other. But many seem to think that bulk literature is enough for kids. Fantasy series and horse books. Kadonneet kyyneleet strives to be quality literature for young people, and it’s simply fantastic that it’s recognized as such. This is the only award in Finland given to a young people’s book by the readers themselves.
The event was touching: an eight-year-old sang accompanied by a piano, a speech from representatives of the local cultural board and the sponsoring paper factory, then the child jury got on stage, and revealed the winner. Then I got up, and was given a fruit basket and said a few words myself.
The money (3500e) will come in handy since I try to combine the lives of an artist, an enterpreneur and a student, three venues not known for their great wages…